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Girolamo Mocetto
Girolamo Mocetto (c. 1470, Murano – after 1531, Venice. Active 1490 – 1530.)〔(Entry ) on the Union List of Artist Names. First name also spelled ''Gerolamo'', last name also spelled ''Moceto'', ''Mozeto'', ''Mozetto'', ''Mozzetto'', or ''Mozzetto''.〕 was an Italian Renaissance painter, engraver, and stained glass designer. He was heavily influenced by Domenico Morone, Giovanni Bellini, Bartolomeo Montagna, Cima da Conegliano, and especially Andrea Mantegna.〔Serena Romano. "(Mocetto, Girolamo )." In Grove Art Online. Oxford Art Online (accessed December 14, 2011; subscription required).〕 He is most important as an engraver,〔Boorsch 57〕 and his engravings of the compositions of others are his most successful prints.〔Levinson, 382〕
== Life ==
Mocetto's family were glass painters.〔 His exact date of birth is not known. Although it was long thought that he was born in the 1450s, more recent scholarship has found this to be due to a misread document.〔 The birth date of c. 1470 was arrived at by taking the known dates of his 1494 marriage〔Date per Boorsch; the (British Museum biography ) gives the date as 1493.〕 and his grandfather's 1445 marriage and assuming that Mocetto and his father each married at age 20-25.〔 He may well be the ''Hieronymo depentor'' ("painter Jerome") who joined the large team under Giovanni Bellini painting the council hall of the Doge's Palace, Venice in 1507, though he had probably been making engravings in a Bellini-esque style for many years before. In 1517 he painted the facade of a house in Verona; since the owners were also called Mocetto they may have been relatives. He is last recorded in August 1531, when he signed a will in Venice leaving his estate to his son Domenico.〔
As this summary would indicate, primary sources about Mocetto's life are scant. While there is no record that he trained or lived outside of Venice, there are significant indications that he may have spent time in Mantua. Several impressions of the print ''Judith with the Head of Holofernes'' bear Mantuan watermarks, and the print itself closely resembles the work of Giulio Campagnola, who is recorded as being in that city in 1499.〔〔Boorsch 57-58〕
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